![]() The drums themselves often come in every size, material and period imaginable, with choices regularly offered in families of sub-products. Better still, players themselves can play into the VI using an e-kit thanks to fewer concerns about the amount of grunt the studio’s system can provide. Not only can parts be manually programmed by pad or mouse, but also they can be driven from vast libraries of MIDI covering a multitude of genres. Going back to the holy trinity of getting a good drum sound (playing, drums, and room), the modern VI has got it covered. Owing to these factors, it could be said that developers of drum virtual instruments had to wait a while for computer hardware’s ability to catch up to fully exploit the power of these incredible drum production powerhouses. ![]() Added to that, of all instruments, drums really do hate the latency introduced by slower processors. The main one was inevitably host computer resources, owing to the huge amount of RAM required to hold all of that meticulously sampled realism. Of these earlier instruments, it could be said that there were still limitations in their use. By having a choice of drums, as well as virtual acoustics and signal paths to play with, engineers and programmers instantly had the final piece of the puzzle when armed with the right playing or programming. That was a real or MIDI-driven performance triggering a whole smorgasbord of sampled studio favourites, as well as a smattering of exotic tubs made out of materials like carbon fibre or plexiglass. When drum virtual instruments (VIs) started appearing around the mid-2000s, engineers found themselves with a new tool that promised everything that real recordings sometimes lacked. ![]() In any scenario, most would agree that all real recordings need at least musicality (not necessarily technicality) from the player, and drums that are well maintained and tuned (not necessarily expensive ones). That’s not to say that many working engineers without these elements didn’t get great sounds with at least some of these in place, but more that without all of them, the sound’s potential was inherently restricted. The second option was to not have the best drum sound possible. With these elements in place, it was hard to get wrong. The first option was to record a great player on a well-tuned kit with decent cymbals, and add or record with a great sounding ambience. Not so long ago, engineers wanting the best drum sound possible were presented with a binary choice. Knowledge of this orientation can be used to determine the cuttings flow direction, where the cuttings are going, and can be used to adjust drill bit and/or formation tools to optimize the cutting and drilling process.The third incarnation of Toontrack’s EZdrummer promises to bring even more to its well-loved combo of ease and sounds, but what do these bring to your production? Three Experts give their verdict… In The Beginning… In some instances, it is important to know or estimate the orientation of the drilling equipment (such as a drill bit or tool) with respect to the desired formation of interest. The drill string and, thus, the cutting and/or drilling equipment, is rotated in order to clean the cuttings and to then create the desired borehole. During drilling, the drill bit is forced downwardly against the formation of interest to create a hole in the formation and, thus, formation cuttings are dislodged and carried up the annulus. As the drill string is rotated, the drilling fluid is pumped down the hollow central passage of the drill string and exits at the bottom of the drill string and then circulates back up the annulus formed by the wall of the drill string and the borehole wall. The drill string is filled with a drilling fluid which is circulated through the interior of the drill string by a rotating drill bit. A drill string is typically a steel or composite pipe string which supports the drill bit and carries information and control to the surface. Typically, when drilling a well, a drill bit is conveyed at the lower end of a drill string to a location adjacent the formation of interest. In well drilling, the formation, such as hydrocarbons or water, of interest is located several thousands of feet below the earth's surface. The present invention is related to downhole drilling technology and, more particularly, to determining the orientation of drilling equipment within a well borehole. EZX Latin Percussion HYBRID DVDR for Toontrack EZX. The EZX has a 10.1 GB compressed size, and is included as a free. "EZX Latin Percussion HYBRID DVDR - LIMITED EDITION" Toontrack EZdrummer EZX Latin Percussion HYBRID DVDR.rar. ![]() A mix of various ezdrummer.ezx hybrid_dvdr combo packs from toontrack. ![]()
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